In the promo clip for AMC Theaters, Nicole Kidman settles into her seat and says, “Even heartbreak feels good in a place like this.”
There is something about the comfort and warmth of a darkened theater that allows us to open to even the most difficult emotions. We chase along with the hero after the villain. We run from danger, hiding in fear. We allow our darkest feelings to emerge on the screen and frighten us. We fall in love and endure the heartbreak of falling out of love.
Stories are valued when they make us feel. Even when those feelings are negative, they seem to serve a purpose. They allow us to work through our fears, doubts, and insecurities. It is as if we are overcoming something that hurts.
Some people even fall asleep watching true crime on their laptops. Perhaps this is the mind attempting to gain control over things that feel uncontrollable.
The Blues, for example, was a response to the fear and pain of slavery and the brutality that followed Reconstruction. People felt incomplete, victimized, diminished, and frightened. Yet Black culture has always been deeply connected to rhythm, dancing, and celebration in the face of danger.
In Africa, some tribal cultures sing and dance before and after battle. They sing over the bodies of the fallen. In New Orleans, funerals burst into music and movement. In the face of overwhelming danger, we reclaim agency by allowing our hearts to express themselves. Like the thunderous gospel of Southern churches, voices rise toward the sky.
Somehow, even heartbreak feels good in a place like this.
Yet although we will spend money, stand in lines, and sit next to people loudly chewing popcorn just to feel heartbreak on a screen, we often avoid those feelings in real life.
We enjoy heartbreak in stories, but feel victimized when we experience it ourselves.
Yet feelings—both pleasant and painful—are part of life. Learning to accept them gives our experience a wider palette.
Why go to a horror movie when you can turn on CNN?
The difference is that the news evokes fear with no resolution. We do not know whether the next bomb will trigger catastrophe. We do not know whether sadness will deepen into a hopeless abyss.
Some of us cling tightly to the edge of sadness, afraid of where it might lead.
But what frightens us most is the unknown.
Even in the darkest movie, we know it will eventually resolve. Though we may leave feeling sadness or horror, we also know it is fiction—and fiction feels manageable.
The Prince of Denmark struggled with whether to end his life because of the overwhelming difficulties he faced—the “slings and arrows of outrageous fortune.” Yet even the thought of death gave him pause, because in that dream of death, what comes next?
Better to endure suffering than step into the darkness of the unknown.
Yet there are things we can know about strong emotions.
They are human. They offer a glimpse into the depth of our existence. They allow us to understand others more deeply because we recognize what moves them and motivates them.
And among these powerful emotions is sadness.
Sadness is often dismissed as a bad vibe, a downer. But if we learn to accept it without judgment—simply allowing ourselves to feel it—we may discover that sadness is a deeply authentic experience.
Accepting sadness loosens our defenses. It allows us to become more exposed.
This might not be practical in a nightclub. But in meditation, at home, or in the presence of people we trust, allowing sadness can become a doorway into understanding the entire spectrum of human feeling.
Accepting emotions allows us to work with them and integrate them into a deeper understanding of ourselves and others.
Let us begin with two fundamental feelings: sadness and joy.
Sadness is a universal human feeling. Our minds continually place us in situations where we encounter it, inviting us to listen.
Avoiding sadness often harms us more than sadness itself. Avoidance can lead to isolation, depression, self-doubt, and shame.
But if we are willing to accept sadness, we can begin to work with it.
The first step may be finding a psychological equivalent of Nicole Kidman’s movie theater—an awareness that is larger than the sadness itself. Within that larger awareness, sadness can simply be allowed to exist.
Chögyam Trungpa described this as “placing the mind of fearfulness into the cradle of loving-kindness.”
We can practice this in meditation.
Trungpa writes:
Through the practice of sitting still and following your breath as it goes out and dissolves, you are connecting with your heart. By simply letting yourself be as you are, you develop genuine sympathy toward yourself.
The genuine heart of sadness is already there. It has always been with you.
In this sense, it is basically good.
When something is basically good, it is unconditionally good. It is genuine rather than contrived. It is simple unless we complicate it.
Sadness itself is uncomplicated. It does not need a story. There is no need to assign blame or predict where it will lead.
It is simply part of the ocean of feelings moving through us.
Sometimes one rises to the surface.
If we can avoid harming ourselves by trying to fix it, judge it, or push it away, we may begin to see that there is nothing shameful about feeling natural human emotions.
The world is not fundamentally “for” or “against” us.
The point is to work with our situation as it is right now.
Meditation helps us rediscover basic goodness and awaken the genuine heart.
When we look for that heart, we may discover something surprising: it is empty.
Where is the heart? Who are we?
If we search for something solid and tangible, we will not find it.
And that is okay.
Sadness simply exists. It is neither villain nor savior.
This empty space may feel disconcerting. We may rush to fill it with stories.
Perhaps we blame our sadness on parents, society, trauma, or inadequacy.
But sadness itself does not require those explanations.
It simply arises.
If we place ourselves gently in the cradle of kindness, we can learn to feel it.
If we rest in the open space of sadness, we may begin to feel tenderness.
Instead of anger, we might experience softness—something sore, open, and vulnerable.
When we truly open our eyes to the world, we may feel tremendous sadness.
Do not be alarmed.
It arises because we are without defenses. We are exposed, tender, and human.
Sadness is raw and personal.
Yet the genuine heart of sadness reveals something unexpected: the heart that seems empty is actually full.
If we remain with this unsettled feeling without filling the space with explanations, something remarkable happens. Fearlessness appears. Pema Chödrön describes the process as “learning to stay.”
Just stay.
Like all feelings in the ocean of our experience, sadness will pass.
Stay with the tenderness.
From that tenderness—allowing the world to touch our raw and beautiful heart—fearlessness is born.
We become willing to open ourselves without resistance or hesitation and share our hearts with others.
Trungpa writes:
We should feel that it is wonderful to be in this world. How wonderful it is to see red and yellow, blue and green, purple and black. All these colors are provided for us. We feel hot and cold. We taste sweet and sour. We have these sensations, and we deserve them.
And they are good.

That image sent me down a cat rabbit hole. Large, ferocious animals squeezing boxes that could not possibly hold them, yet they somehow get inside and find peace. What became obvious is that support and safety was never structural. It was pure feeling. Even when the box fails, the animal still experiences safety in the feeling of enclosure.
Alternately, I’ve seen those accomplished in meditation who met their deaths as a new beginning, or a next stage. They have experienced their own ego deaths any times – each time they stepped from their box. From outside the box, they could see impermanence, they understood the box game and knowing there was nothing to hold on to, when the time came they were in acceptance.
Buddhist teaching suggests that death removes the box entirely, and rebirth is shaped by the boxes we inhabited. Whether or not one accepts that cosmology, it is undeniably true psychologically. We are continuously rehearsing our confinement.
When Lord Buddha became enlightened, he was asked how he knew he was enlightened and he touched the earth and said “the earth is my witness.” This act of humility was simple and profound. Enlightenment to the Buddha was not some grand state of all-knowing; it was a state of acquiescence, acceptance, and presence. It was not rising above our circumstance, but simply being here. We can reconnect to that state of presence, everytime we touch the earth by making contact with the present. Feeling our feet on the ground as we walk, feeling our hands touching the knife as we prepare our meal, taking any and every opportunity to interrupt the grand narratives we script with ourselves at the center and allow ourselves to be present with whatever we’re doing. And today I would like to introduce how we might do that in a tactile and definite way. This simple engagement will transform your life.
Anxiety is a 
Jokes are good when they make us laugh—but even bad jokes are good when we’re thinking that way. A good joke is an expression of technique. But it’s the timing and delivery that make it special. And when that timing and delivery aim at social injustice or psychological limitation, there’s real depth. Humor punches through the walls of limited thinking and lets a bit of air and space into the equation. Sometimes it hurls itself headlong into the wall. But if it’s spot on, it will enliven us, release us, and bring us into community.
The word compassion evokes many ideas—some relatable, others unrealistic or vague. This lack of definition makes it more of an idea than an experience. We often equate it with kindness and softness, but rarely with strength and resilience. Can it be all of the above?
I love the audacity of John and Yoko’s campaign: War is Over (If You Want It). It wasn’t just a slogan—it was a vision, splashed across Times Square in 1970. Can you imagine? Yet, as some readers will point out, Lennon was often aggressive, even violent. In response to accusations he had abused his wife Cynthia and assaulted friends, he admitted that his own violence was what taught him the value of peace. He had to confront himself and make a vow to change. His public message was an attempt to use his privilege to help the world.