First Thought, Best Thought

Commiting to Yes (And…)
First Thought, Best Thought was the title of a book of poetry by Chogyam Trungpa Rinpoche and a phrase he used to describe engaging fresh mind in any creative endeavor. Last week, we discussed the idea of a fresh start—how returning to the breath brings us into the present, allowing our next step to be free of past attachments. In this sense, first thought is the moment the mind comes to a creative inflection point, that is stepping forward with confidence and clarity.
However, first thought is not the first thought we notice. By the time we become aware of our thinking, we are generally enmeshed in a point of view shaped by past experience. This natural function of the mind contextualizes the present based on what we’ve learned, which, while useful, can lend itself to reiteration, blocking true creative exploration.
There are two aspects of mind we can consider: the fresh, free-flowing mind and the compounded mind that analyzes and categorizes based on prior knowledge. The compounded mind refines what it already knows, strengthening established neural pathways. This can feel satisfying and safe. Think serotonin. Fresh mind, on the other hand, forges new synaptic connections—an activity that excites the brain in an entirely different way. Think dopamine. Both aspects are integral to our mind when they harmonize in a workable balance. These fall out of balance when we lock ourselves into a secure redoubt, or jettison ourselves into unprotected space. These are known as 1st and 3rd circles, respectively. The middle way is known as the 2nd circle. This is the space of optimum creativity.
Square One and the Power of Space
In Trungpa Rinpoche’s Dharma Art course, the very first class begins with students sitting in a circle. There is a blank white sheet spread on the floor. This experience, which he called Square One, was designed to immerse students in the energy of clear, open space. The entire premise of Dharma Art—creating authentic expression within one’s environment—relied on the understanding that Square One was completely empty.
Emptiness is often misunderstood. To the materialist, ego-driven mind, emptiness feels like voidness, a loss of reference points. When we are not preoccupied with acquiring, ignoring, or resisting external things, the ego panics, interpreting the lack of engagement as nonexistence. Yet, space—like the vastness surrounding our planet—is filled with energy and potential. In tantric traditions, space is considered the feminine principle, the womb of all creation.
Sitting around the white sheet, the mind naturally throws up objections. It searches for past experiences to contextualize the moment, and when it fails, it fabricates fantasies based on conditioning. Anything to avoid accepting the pure potential of space. This can feel agonizing, especially when we believe we are supposed to create something. But did the universe know what it was creating when it began?
The Sacred Moment of Not Knowing
When faced with uncertainty, the ego scrambles to define, control, or solve what is before it. This is a noble instinct, but it is not the act of creation. Many spiritual traditions hold the moment of not knowing as sacred. The I Ching describes this as the moment just before the sacrifice, when the practitioner silently opens to the divine. This pause—this waiting—creates space for inspiration.
But what is inspiration? What is channeling? What does it mean to create without the conscious mind dictating the process? When we reach our highest potential and then simply open in silence, we are not controlling what comes next; we are making space for it to emerge. The next impulse may arise internally or from the environment. In theatrical improvisation, it might be prompted by a partner’s line. If we already know the line—as in scripted theater—we strive to make our response feel spontaneous. But in true improvisation, we do not know the prompt beforehand, so our response emerges authentically, as if it were a pure first thought.
Improvisation, Acceptance, and Flow
Naturally, even improvisation has guidelines to sustain the creative flow. The most well-known rule is Yes, and…—the principle of accepting whatever is presented and responding intuitively.
Our habitual responses to the world tend to fall into three categories: acceptance, resistance, or avoidance. Improvisation shifts this toward acceptance. The second rule, No Denial, ensures that energy continues moving forward. For instance, if my scene partner says, Good morning, Doctor, I should not reply, I’m not a doctor! That would break the flow. Instead, I might say, Good morning, Mrs. Smith. Your dog is doing very well and can be picked up today. This maintains the reality we are creating while still allowing space for personal agency.
Trungpa Rinpoche’s Dharma Art was a laboratory for discovering pure impulse and response in the creative process. It was not meant for performance. To cultivate a coherent flow, Trungpa employed three guiding principles: Heaven, Earth, and Human. A response could offer a larger perspective (Heaven), set the ground for what is happening now (Earth), or engage another person emotionally (Human).
Just as the universe created itself, humanity may have evolved to perceive, feel, and interact with that unfolding creation. When we gaze at the night sky, we see a seemingly static and reliable expanse. Yet, in reality, it is dynamic and ever-changing. The stars we see may no longer exist as they appear; their light has taken years, even millennia, to reach us. The sky is a snapshot of creation in motion. When we quiet the mind—acknowledging our thoughts but resting in the space between them—we create the silence needed for inspiration to arise.
Creativity as a Way of Being
Of course, not every first thought is brilliant. That’s why the Dharma Art approach values process over performance. What matters is accessing the pure moment of space and noticing what naturally arises—before conditioning encumbers it. This process mirrors the way we engage with structured and unstructured elements in life.
A society functions through rules and norms, yet within that structure, we can live creatively. We don’t need to force ourselves to conform to rigid formulas, but we also don’t have to reject structure altogether. Instead, we can relate to societal frameworks in a way that allows for meaningful interaction while maintaining creative freedom.
In art, we see this dynamic play out in genre conventions. A procedural or romance novel follows a predictable structure (Earth), whereas an experimental novel unfolds in real time (Heaven). The most compelling works balance these elements, engaging readers with familiarity while surprising them with discovery. Similarly, we can author our own lives—grounded in reality yet open to the unknown.
This brings us back to the blank space. Try this experiment: Pause. Let your mind rest. Instead of steering your thoughts toward a desired outcome—especially one shaped by preconceived notions of what meditation or creativity should be—allow yourself to simply be. Notice the first authentic impulse that arises.
If you commit to Yes, and…, you can take the next step toward creating your piece, your day, or your life.


There is an old Zen saying: “Disappointment is the chariot of liberation.” But what does that mean? Is it simply wishful thinking when things go wrong? Not quite. It points to a fundamental aspect of the path toward liberation. What are we liberating ourselves from?
human behavior is that we will do the extra work of fabricating a fiction, rather than simply relax with what is. This is where mindfulness comes in: the ability to slow down, synchronize with the moment and rest our attention with what is happening. This allows the space for us to see a perspective grander than one constrained by habittual reaction. With mindfulness we are able to see if the next action is leading to freedom or reinforcing habitual patterns that limit us. And we can take the next step. If we are brave enough, we might step through the veil. When we are controlled by fear, we might cycle back to habit.
Even when we believe we are succeeding within a particular frame, we may only be reinforcing the walls that separate us from deeper understanding. Every mistake, problem, or disappointment is an opportunity—not for blame, but for insight. What we call “failure” often arises from the expectations of the frame we are living within. We didn’t get the job, the person didn’t call back, we failed to reach our goal weight—these disappointments expose the treadmill of habitual thinking that keeps us confined. But when these expectations are disrupted, we have a chance to reset, to step beyond the frame and see our lives with fresh eyes.
In Buddhist teaching, Patience is taught as one of the six paramitas. The Paramitas Generosity, Patience, Discipline, Exertion, Meditation and Wisdom are activities that transcend our conventional frame into a more expansive or “transcendent” expression of experience. This transcendence is sometimes referred to as “the other shore,” as we move from a self-centered, habitual interpretation to one imbued with greater depth and perspective. From this larger perspective, patience can be viewed as a positive application for the development of wisdom. We are not clamping down or tightening up; rather, we are allowing space between an impulse and our action. This space provides the opportunity for us to become cognizant, intentional, and mindful. Transcendent Patience is a momentary pause for us to find the most appropriate response to whatever situation confronts us. More importantly, that space allows us to connect with our natural serenity and peacefulness of mind. Through consistent, dedicated meditation practice, we can develop the ability to recognize these moments of pause—often just before we bite down or cling to our next reaction.
Patience, in its transcendent form, is not merely about waiting for external circumstances to shift. It is about cultivating space within the mind to introduce awareness into our processing. Patience allows us to see our thoughts as they form, granting us the opportunity to respond thoughtfully rather than react impulsively. In Tibetan, this reactive “hook” is referred to as shenpa; Pema Chödrön describes it as the feeling of being hijacked by familiar patterns of reactivity.
Patience also applies on a behavioral level, especially when we are cultivating something new—a relationship, a creative project, or a business. In some spiritual traditions, practitioners “turn it over to God.” In Buddhism, we turn it over to space itself, trusting that space is imbued with the same intelligence and compassion others may attribute to a deity. Rushing a project or relationship may bring temporary gratification but rarely yields sustainable growth. Patience allows the natural rhythms of the process to unfold, supporting more authentic and enduring outcomes.
importance of creating safety for not only himself but also the Dharma and for his students. The need for protection grew alongside his rapidly expanding community. In Tibet, monasteries were safeguarded by monks trained in awareness and nonviolent crowd control. Trungpa’s close attendant, John Perks, a British armed forces veteran, played a pivotal role in this initiative. Perks, who passed away on January 31st, was an outrageous and endlessly creative figure whose book The Mahasiddha and His Idiot Servant captures the spirit of the time.
These principles trace back to the 9th century when the Indian Mahasiddha Padmasambhava introduced Buddhism to Tibet at the invitation of King Trisong Detsen. Padmasambhava encountered numerous obstacles, as Tibet’s rich mystical traditions were diverse and often aggressive. While some practices were positive, others were rooted in fear and superstition. The Tibetan king sought to unify his people through a central spiritual framework, seeing Buddhism’s ideals of nonviolence and compassion as tools for governance. Inspired by India’s spiritual renaissance, Padmasambhava aimed to refine Tibet’s spiritual landscape.
Ego which can be seen as the very limited defensive nature of the mind, serves to reduce our world to a controllable space. Its logical extension is the propagation of surety, dogma and doctrine. The opposite of ignorance(ma-Rigpa) is knowing (Rigpa), and therefore, egoless being is sees and knows what is happening. And it always has. This is Buddha Nature – our natural state. Because it is accepting reality as it is, it is not at war. Thus, Buddha Nature is said to be indestructible. It has never changed. It is the life of the universe and the very life around us. And though our lives will pass into other configurations, our essential nature is said to be part of all of nature. Ego clings to temporal things in order for us to believe that temporary things give us solace and sustenance. We can squint our eyes and believe what we are happy but, inside us, we know that happiness is immaterial. Material things are “like a banquet before the executioner leads us to our death.” Revenge, retribution, and displays of grandiosity masquerading as leadership are fleeting and meaningless. They are basically good, because they are there. But they are expressions of ego and ultimately fleeting.
adjacent worries, recrimination and judgment. For instance, there is drilling happening not far from my apartment. It’s annoying and incessant. I’m here having to work on a post about creating peace with this going on in the background. It becomes especially painful when the background becomes the foreground, as is happening now as I’m referring to it. However in the course of writing, I’ll refocus on my work and forget the noise. This cessation of suffering comes and goes and yet the drilling is continuing unabated. Sometimes I’m aware and sometimes not. Each time I’m aware of the drill I forget all about the periods of relative peace. It seems this drilling has been going on my entire life and will continue forever. I cannot help but take this personally.
to create a gap between input and impulse, which serves as a mote or buffer of aware space. Whether we are triggered by someone else, or drilling outside the window, all instigating impulses happen in our mind. When the mind builds it cocoon it compounds itself into a hall of mirrors. Turning the attention from this brain constipation toward the aerobic movement of breathing interrupts the process and allows the claustrophobia to abate. When we turn our attention from the overwhelmed brain to the body breathing, we go return to something grounding. And while simple awareness of the breath may seem inadequate to address how impacted we feel, it actually creates a gap that allows the mind more clarity to see clearly.
holidays are often described as loving and warm, but it can also feel cold and threatening.
False binaries dominate our consciousness, good versus evil, left versus right, wonderful versus horrible. We live squeezed between these exaggerations. The Buddha taught that the truth lies not in extremes but in the “middle way.” This teaching urges us to be present in our lives and act rightly in the moment. Similarly, the 12-step traditions speak of “doing the next right thing.” According to the Buddha, the next right step depends on the specific circumstances of the moment. Instead of fabricating extremes, the middle way turns our attention to what’s really happening.

But this talk is not about back pain. This talk is also about our mental and emotional health and how with meditation we are retraining the mind away from reflexive reactions so we have a way of working with pain that allows us to gain mastery over suffering. The title of this talk is “Sit Down and Rise Up.” Or, maybe “Rise Up and Sit Down” depending on its whim. By sitting down and connecting to the earth, we ground ourselves in the present. With practice, we grow comfortable with our own presence and begin to connect to our innate dignity, confidence, and well-being. Rising up in a gently uplifted posture lengthens the spine, creating space for tension to release and openness to dawn. With practice we become confident with openness. Openness, in turn, engenders more confidence in not just our spirit, but our body. With practice we become familiar with the warrior’s seat, and are able to return to it.
For example, Muhammad Ali trained himself to relax and release tension when struck by an opponent, by famously using the “rope-a-dope” strategy. By leaning back on the ropes, dancing and smiling, not only replenished his energy, but seriously disheartened his opponents. When balanced, he faced the moment rather than retreating, demonstrating mastery over both his body and mind.